André Jolivet

André Jolivet August 8 1905 – December 20 1974 Was A French Composer. Known For His Devotion To French Culture And Musical Thought Jolivet's Music Draws On His Interest In Acoustics And Atonality As Well As Both Ancient And Modern Influences In Music Particularly On Instruments Used In Ancient Times. He Composed In A Wide Variety Of Forms For Many Different Types Of Ensembles. André Jolivet Was Born On 8 August 1905 At Rue Versigny In Montmartre Paris The Son Of Victor-Ernest Jolivet And Madeleine Perault His Father An Artist His Mother A Pianist. Jolivet Developed An Interest In The Arts Early In His Life Taking Up Painting And Cello Lessons At The Age Of 14. However He Was Encouraged By His Parents To Become A Teacher Going To Teachers' College And Teaching Primary School In Paris Taking Three Years In Between To Serve In The Military . One Of His Own Teachers However Believed Jolivet Had A Future In Music Strongly Encouraged Him To Pursue Composition And Introduced Him To Paul Le Flem Jolivet's First Teacher In Composition. Le Flem Gave Jolivet A Firm Grounding In Classical Forms Of Harmony And Counterpoint. After Hearing His First Concert Of Arnold Schoenberg Jolivet Became Interested In Atonal Music And Then On Le Flem's Recommendation Became The Only European Student Of Edgard Varèse Who Passed On His Knowledge Of Musical Acoustics Atonal Music Sound Masses And Orchestration. In 1936 Jolivet Co-Founded The Group La Jeune France Along With Composers Olivier Messiaen Jean-Yves Daniel-Lesur And Yves Baudrier Who Were Attempting To Re-Establish A More Human And Less Abstract Form Of Composition. La Jeune France Developed From The Avant-Garde Chamber Music Society La Spirale Formed By Jolivet Messiaen And Lesur The Previous Year. Jolivet's Aesthetic Ideals Underwent Many Changes Throughout His Career. His Initial Desire As An Adolescent Was To Write Music For The Theater Which Inspired His First Compositions Including Music For A Ballet. Claude Debussy Paul Dukas And Maurice Ravel Were To Be His Next Influences After He Heard A Concert Of Their Work In 1919 He Composed Several Piano Pieces While Training To Become A Teacher Before Going To Study With Le Flem. Schoenberg And Varèse Were Strongly Evident In His First Period Of Maturity As A Composer During Which His Style Drew Heavily Upon Atonality And Modernistic Ideas. Mana 1933 The Beginning Of His "magic Period" Was A Work In Six Parts For Piano With Each Part Named After One Of The Six Objects Varèse Left With Him Before Moving To The United States. Jolivet's Intent As A Composer Throughout His Career Was To "give Back To Music Its Original Ancient Meaning When It Was The Magical Incantatory Expression Of The Religious Beliefs Of Human Groups." Mana Even As One Of His First Mature Works Is A Reflection Of This Jolivet Considered The Sculptures As Fetish Objects. His Later Writing Continued To Seek The Original Meanings Of Music And Its Capacity For Emotional Ritual And Celebratory Expression. In 1945 He Published A Paper Declaring That "true French Music Owes Nothing To Stravinsky" Though Both Composers Drew Heavily Upon Themes Of Ancient Music In Their Work Jolivet And La Jeune France Rejected Neoclassicism In Favor Of A Less Mechanical And Progressive And Instead A More Spiritual Style Of Composition. Later During World War II Jolivet Shifted Away From Atonality And Toward A More Tonal And Lyrical Style Of Composition. After A Few Years Of Working In This More Simplistic Style During Which Time He Wrote The Comic Opera Dolorès Ou Le Miracle De La Femme Laide 1942 And The Ballet Guignol Et Pandore 1943 He Arrived At A Compromise Between This And His Earlier More Experimental Work. The First Piano Sonata Written In 1945 Shows Elements Of Both These Styles. Finally Realizing His Youthful Ambition To Write For The Theater Jolivet Became The Musical Director Of The Comédie Française In 1945 A Post He Held Until 1959. While There He Composed For Plays By Molière Racine Sophocles Shakespeare And Claudel Scoring 14 Works In Total. He Also Continued To Compose For The Concert Hall Often Inspired By His Frequent Travels Around The World Adapting Texts And Music From Egypt The Middle East Africa And Asia Into His Distinctly French Style. During The 1950s And 1960s Jolivet Wrote Several Concertos For A Variety Of Instruments Including Trumpet Piano Flute Harp Bassoon Percussion Cello And Violin. These Works While Highly Regarded All Demand Virtuosic Technical Skill From The Performers. Jolivet Is Also One Of The Few Composers To Write For The Ondes Martenot An Early Electronic Instrument Completing A Concerto For It In 1947 19 Years After The Instrument's Invention. Jolivet Founded The Centre Français D'Humanisme Musical At Aix-En-Provence In 1959 And In 1961 Went To Teach Composition At The Paris Conservatoire. Jolivet Died In Paris In 1974 Aged 69 Leaving Unfinished His Opera Le Soldat Inconnu. He Was Buried At Montmartre Cemetery Next To The Composer Henri Sauguet. read less