Mc カディカル・リンショウ プロフィール - Music
Mc カディカル・リンショウ プロフィール by 嘉手苅林昌
嘉手苅林昌
Artist Biography For 嘉手苅林昌
Rinsho Kadekaru Was Born At Nakahara In Goeku Village In The Centre Of Okinawa On July 4th 1920. He Began Playing Sanshin At The Age Of Seven And By The Time He Was 15 Started To Participate In His Village’s All Night Revelries Known As Mo-Ashibi. These Were Outdoor Parties That Took Place In Open Spaces On The Outskirts Of Farming Villages. Young People Would Sing Dance And Drink Often Until Dawn Then Do A Full Days Hard Labor In The Fields And Party Again The Next Night. The Highest Musical Standards Were Maintained And Kadekaru Soon Gained A Reputation For His Sanshin Playing And Was Often Invited To Perform At Other Village’s Jamborees.
Successive Authorities Attempted To Ban The Mo-Ashibi These Unruly Gatherings Were Thought To Be Immoral But They Flourished Until Just Before The Second World War. In The Pre-War Years There Are Stories Of Parents Encouraging Their Children To Take Part In The Mo-Ashibi Every Night In The Hope They Would Fail The Medical For Military Conscription Due To Exhaustion.
After The War And The US Occupation The Mo-Ashibi Was Outlawed For Good. Kadekaru Stayed On The Islands Of Saipan And Tinian Returning To Okinawa In 1949. His Reputation Had Not Been Forgotten And He Became One Of The Pivotal Figures In The Post-War Okinawa Folk Boom. He Recorded Nearly 250 Songs For Local Record Labels More Than Any Other Musician.
49 Similar Tracks:
嘉手苅林昌 - 国頭ジントーヨー 嘉手苅林昌 - 時代の流れ 嘉手苅林昌 - MC 二代目カディカル、次男・林次紹介 嘉手苅林昌 - MC 林昌×直彦「楽屋にて」—これから独演会が始まるよ! 嘉手苅林昌 - MC 毛遊び一頭・金城睦松 大城美佐子 - 片思い 大城美佐子 - 仲島節 Chieko Iha & Four Sisters - Shimajima Kaisha 夏川りみ - 愛よ愛よ 登川誠仁 - 泊高橋 登川誠仁 - Naritai Bushi サニーデイ・サービス - 恋は桃色 Kan - KANのChristmas Song サニーデイ・サービス - 胸いっぱい 鬼束ちひろ - HIDE AND SCREAM Ikue Asazaki - Anma 中島みゆき - 流星 はっぴいえんど - 12月の雨の日 Cocco - 雨ふらし Cocco - Satie 青木ヨーマ - いいつづけたでしょうサヨナラは 安東ウメ子 - チョーラックン スガシカオ - Room201 スガシカオ - はじまりの日 Feat. Mummy-D Wool Strings - June Shugo Tokumaru - Rain 小坂忠 - シャロンの花 小坂忠 - 荒野の果てに 讃美歌106 小坂忠 - 御冠をもなれは捨てて 聖歌136 小坂忠 - Koe Wo Kikasete 小坂忠 - ふけゆく野原の 聖歌125 小坂忠 - 愛のあいさつ 小坂忠 - 今がその時 小坂忠 - オープニング 小坂忠 - クリスマス・イン・ピース ボーナス・トラック 小坂忠 - ふたりの理由,その後 小坂忠 - Hard To Say,偶然と必然の間 小坂忠 - 栄光主に,力ある神 小坂忠 - ラララ歌おう〜その時若い女も 小坂忠 - メッセージ MC 小坂忠 - きよしこのよる 讃美歌109 小坂忠 - What A Wonderful World 小坂忠 - Saling 小坂忠 - アメイジング メドレー Jesus Loves Me|Amazing Grace 小坂忠 - 喜びの季節 小坂忠 - ガブリエルのオーボエ 小坂忠 - 黄金のエルサレム 小坂忠 - クラリネット五重奏曲〜第4楽章 小坂忠 - クラリネット五重奏曲〜第2楽章
POPULAR
TRACKS
MIXES
ALBUMS
Video 1 : 50
Music Tags for 嘉手苅林昌:
Biography - 嘉手苅林昌
Rinsho Kadekaru Was Born At Nakahara In Goeku Village In The Centre Of Okinawa On July 4th 1920. He Began Playing Sanshin At The Age Of Seven And By The Time He Was 15 Started To Participate In His Village’s All Night Revelries Known As Mo-Ashibi. These Were Outdoor Parties That Took Place In Open Spaces On The Outskirts Of Farming Villages. Young People Would Sing Dance And Drink Often Until Dawn Then Do A Full Days Hard Labor In The Fields And Party Again The Next Night. The Highest Musical Standards Were Maintained And Kadekaru Soon Gained A Reputation For His Sanshin Playing And Was Often Invited To Perform At Other Village’s Jamborees.
Successive Authorities Attempted To Ban The Mo-Ashibi These Unruly Gatherings Were Thought To Be Immoral But They Flourished Until Just Before The Second World War. In The Pre-War Years There Are Stories Of Parents Encouraging Their Children To Take Part In The Mo-Ashibi Every Night In The Hope They Would Fail The Medical For Military Conscription Due To Exhaustion.
After The War And The US Occupation The Mo-Ashibi Was Outlawed For Good. Kadekaru Stayed On The Islands Of Saipan And Tinian Returning To Okinawa In 1949. His Reputation Had Not Been Forgotten And He Became One Of The Pivotal Figures In The Post-War Okinawa Folk Boom. He Recorded Nearly 250 Songs For Local Record Labels More Than Any Other Musician. read less
read more
Successive Authorities Attempted To Ban The Mo-Ashibi These Unruly Gatherings Were Thought To Be Immoral But They Flourished Until Just Before The Second World War. In The Pre-War Years There Are Stories Of Parents Encouraging Their Children To Take Part In The Mo-Ashibi Every Night In The Hope They Would Fail The Medical For Military Conscription Due To Exhaustion.
After The War And The US Occupation The Mo-Ashibi Was Outlawed For Good. Kadekaru Stayed On The Islands Of Saipan And Tinian Returning To Okinawa In 1949. His Reputation Had Not Been Forgotten And He Became One Of The Pivotal Figures In The Post-War Okinawa Folk Boom. He Recorded Nearly 250 Songs For Local Record Labels More Than Any Other Musician. read less