Clarinet Marmalade - Music

'Wild' Bill Davison January 5 1906 Defiance Ohio – November 14 1989 Santa Barbara California Was A Fiery Jazz Cornet Player Who Emerged In The 1920s But Did Not Achieve Recognition Until The 1940s. He Is Best Remembered For His Association With The Bandleader Eddie Condon With Whom He Worked And Recorded From The Mid-1940s Through To The 1960s. Born In Defiance Ohio In 1906 Wild Bill Had A Powerful If Somewhat Limited Style On The Cornet. The Poet Philip Larkin A Fan Described His Playing Thus "...A Player Of Notable Energy He Uses A Wide Range Of Conscious Tonal Distortions Heavy Vibrato And An Urgent Bustling Attack. At Slow Tempos He Is Melting Almost Articulate. Humphrey Lyttelton Has Compared Him With The Kind Of Reveller Who Throws His Arm Round Your Neck One Moment And Tries To Knock You Down The Next." "All The Same His Stylistic Mannerisms-The Deep Hoarse Blurrings The Athletic In-Front-Of-The-Beat Timing The Flaring Shakes-Are Highly Conscious The 'Wild' Is More A Personal Than A Musical Sobriquet And Imposed As They Are On A Conventional Armstrong Basis Make Davison One Of The Most Exciting Of White Small-Band Trumpeters. His Sessions With Sidney Bechet For Blue Note Are Collisions Of Two Furious Jazz Talents Which At The Same Time Were Oddly Sympathetic And Prove His Ability To Play In Any Kind Of Milieu His Numerous Sides In The Condon Tradition Show Him Uniting With Pee Wee Russell In The Same Way. But Solo After Solo Demonstrates That He Is Not A 'wild' Player Each Note Is Perfectly Shaped And Pitched As If The Cornet Were His Speaking Voice In The Style Of His Favourites Louis Armstrong And Bobby Hackett And With An Emotional Immediacy Always Hard To Parallel." 1 Richard M. Sudhalter Described First Seeing Wild Bill At Eddie Condon's Club In New York City In The 1950s "Up There Incredibly Is Bill Davison Himself Looking Like Anything *but* The Standard Image Of The Cornet Or Trumpet Player. Not Like Louis Armstrong Horn Tilted Up And Eyes Rolled Back As The Tone Takes Flight Not Like Maxie Kaminsky So Tiny That His Instrument Seems Gigantic In His Hands. Not Like Bix Beiderbecke In Some Old Photo Or Other Dented Cornet Pointed Resolutely To The Floor. "Nope. This Guy Is Seated One Leg Crossed Casually Over The Other Drink On An Upended Barrel In Front Of Him. He Sweeps The Cornet Into The Side Of His Mouth To Expel Some Supercharged Phrase Then Jerks It Away As If It's Too Hot To Keep There. And I Realize Awe-Struck He's Chewing *gum*! Where In The World Does He *keep* That Stuff When He's Blowing? "In Short He Looked Just The Way He Sounded - Like A Guy From Ohio A Town Named Aptly Defiance With A Fierce Uninhibited Way Of Attacking The Beat Driving A Band Of Whatever Size Halfway Into Tomorrow. The Music Comes Out As From A Flame-Thrower But With A Density And Momentum Only Suggested By Even The Best Of His Records". 2 read less