Frogtoon Music

Featherweight Hate by Street Sects

Artist Biography For Street Sects


Street Sects Is An American Experimental Music Duo From Austin Texas Formed In 2013 Composed Of Vocalist Leo Ashline And Multi-Instrumentalist Shaun Ringsmuth. Their Style Is Extremely Abrasive Characterised By Industrial Rhythms Use Of Screamed Vocals Samples Of Both Noise And Synthesizers And Nihilistic Lyrics.
Following Two EPs Released In 2014 The Duo's Debut Album End Position Came Out On September 16 2016 On The Flenser To Generally Positive Reviews. In 2013 In The Wake Of Struggling With Addiction For Thirteen Years Vocalist Leo Ashline Formed Street Sects With His Friend Multi-Instrumentalist Shaun Ringsmuth In Order To Produce Extreme Experimental Music Addressing The Negative Aspects Of Life. In 2014 They Self-Released The First Two EPs For The Planned Gentrification A Serial Album Pentalogy The Morning After The Night We Raped Death February 4 And Broken Windows Sunken Ceilings July 15 . On November 18 They Also Released The Song "Things Will Be Better In California" Which Is A Composition Built From Spill/Fill A Collection Of Samples By Wreck And Reference From Their 2014 Album Want. All Of These Works Were Produced By The Duo Mastered By James Plotkin And Illustrated By A.J. Garces Bohmer Based On Concepts By Ashline. Street Sects' Debut Studio Album End Position Was Released On September 16 2016 Through The Flenser To Generally Positive Reviews. It Was Mixed And Mastered By Machines With Magnets In Providence Rhode Island. 1 The Album's Title Is Based On A Lyric From I See A Darkness By Will Oldham.

Frogtoon Music - Song Info: Featherweight Hate

The Track—a Standout From Their Forthcoming LP End Position Due Out On The Flenser In September —with A Few Seconds Of Labored Breathing And Then A Relentless Thrashing For The Remainder Of Its Two-And-A-Half Minute Runtime. It's The Sound Of Struggling To Stay Above Water When Drowning Would Be Way Easier. Leo Ashline's Dizzy Vocals And Shaun Ringsmuth's Harrowing Noise Work Compete For Limited Air Edging Each Other Out In A Careening Push And Pull That Feels Like A Tense Fight For Survival.In An Email To THUMP The Band Wrote That The Track Is Meant To Reflect The Ways That We Can Take Power Back In Our Own Lives. "I Believe That People Can Change Can Better Themselves But Good Deeds Don't Negate Bad Deeds And A Person's Character Cannot Be 'redeemed '" The Duo Writes. "The Concept Of Redemption Is A Sort Of Spiritual Propaganda Just As The Concept Of Rehabilitation Is A Political Fiction Used To Prop Up A Corrupt And Ineffective Criminal Justice System. Our Place In The World Is Not Determined By An Imaginary Scale That Weighs Our Mistakes Against Our Virtues. In Life We Either Sink Or We Swim And More Often Than Not It's Beyond Our Control. The Character In 'Featherweight Hate' Decides To Take Back That Control By Removing The Variables. By Keeping His Gun Loaded And His Eyes Open. Sometimes The Best Way To Keep Swimming Is To Cut The Dead Weight."

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