Sharakan In Three Parts - Music
Sharakan In Three Parts by Sharakan Early Music Ensemble
Sharakan Early Music Ensemble
Artist Biography For Sharakan Early Music Ensemble
The Sharakan Early Music Ensemble Armenian Շարական Անսամբլ Was Founded In 1991 To Perform Armenian Music Of The Middle Ages Starting From The 5th Century. It Was Created By Grigor Danielian Who Has Followed The Age–old Armenian Tradition Of Taking A Pseudonym In His Case Daniel Erazhisht For His Musical Work. The Name Daniel Erazhisht Literally Means "Daniel The Musician" And Was The Name Of An Outstanding Musical Figure Of The Eleventh Century. The Ensemble Takes Its Name From "sharakan" The Melismatic Monophonic Chant Used In The Liturgy Of The Armenian Apostolic Church. Several Guest Musicians Joined The Sharakan Early Music Ensemble On Their Album "The Music Of Armenia Vol. 2 Medieval Chant" On The Celestial Harmonies Label Most Notable Among Them Is Soprano Anna Mailan Who Is Considered The Finest Classical And Operatic Singer In Armenia Today. She Is In Demand At Major Opera Houses Throughout Europe Her Voice Is Heard On Seven Songs In This Collection. Also Appearing Are Hovhannes Darbinian A Leading Performer On The Traditional Armenian Tar Ara Avanian Vocalist On The Song Horzham And Classical Pianist Margarit Sarkissian. The Medieval Songs Of Armenia Had Their Roots In Both The Sacred Music Of The Armenian Church And In The Ancient Bardic Traditions Of The Caucasus Region. While Some Of This Music Is Still Presented In Its Original State Many Older Armenian Works Exist Today Because Of The Tireless Work Of The Turn–of–the–century Composer And Musicologist Known As Komitas. The Music Of Armenia Volume Two Sharakan Spans Fifteen Centuries Of Armenian Music And Komitas' Presence Can Be Deeply Felt In Some Of The Arrangements. In Many Of These Songs Though Conductor Daniel Erazhisht Has Wedded The Exotic Often Melancholy Lyricism Of The Near East To The Classical Purity Of A European Chamber Ensemble Consisting Of String Quartet Voice And Flute. As A Result The Sound Is Immediately Accessible To Western Listeners Even As The Melodies Capture The Ear With Their Surprising Arabesques. Through Christianity Armenia Shares A Common Musical Origin With Europe Especially In Choral Works For Works Of The Established Church. Due To Geography Culture And The Pre-Medieval Split Of The Armenian Church From The Roman Catholic Armenia Is Foreign And Nearly Eastern. The Musical Result Is A Treasure At Times An Unearthed Gem Of Familiarity Springing As It Does From The Same Basic Form As European Cathedral Sources And Then Siren Calls Of Exotic Charm. Portions Sound As If Right Out Of Gregorian Songbook. The Similarity Cannot Be Denied.
50 Similar Tracks:
Haissmavourk Choir - Our Es Myer Im Where Are You, My Mother Haissmavourk Choir - Havoun, Havoun About The Bird Sharakan Early Music Ensemble - Tagh In Praise Of The Beauty Of A Rose Gevorg Dabagian - Es Gisher, Lusnak Gisher Tonight The Moon Is Full Gevorg Dabagian - Kali Yerg Harvest Song Karineh Hovhannessian - Vardani Mor Voghp Vardan's Lament Sasun Folk Group - Akh Lele, Vakh Lele Sasun Folk Group - Arabo Anna Mailian - Havoun, Havoun About The Bird Anna Mailian - Khorhurd Khorin Deep Mystery, Eternal Mystery The Music Masters Of Armenia - Mlodies Populaires The Music Masters Of Armenia - Mlodies De Danses Populair Richard A. Hagopian, Hachig Kazarian, Buddy Sarkissian - Oglan Oglan Richard A. Hagopian, Hachig Kazarian, Buddy Sarkissian - Deveci Hasmik Harutyunyan With The Shoghaken Ensemble - Taroni Heyroor Hasmik Harutyunyan With The Shoghaken Ensemble - Pootanya Ororotsayin Shoghaken Ensemble - Kamancha Shoghaken Ensemble - Sev Moot Amper Dark Clouds Hakob Khalatian - Hoviv Kanch The Call Of The Shepherd John Pappas - Cifte Telli Sayat Nova - Kamantcha Sharakan Early Music Ensemble - Horzham Zulal - Bingyol Mariam Matossian - Hars Em Knoom Lida Zakarian - Arshaluis Noren Batsvan Dawn Opened Again Ludmila Grigorian - Shushi Ludmila Grigorian - Im Karabakh My Karabakh Liudvig Gabrian, Armenak Hovhannisian, Goorgen Haroutiunian - Strange And Empty Karineh Hovhannessian - Improvisation Karineh Hovhannessian - Lorva Shoror/Arag Par The Swing Of Lori/Fast Dance Karineh Hovhannessian - Dun En Gikhen/Kamantcha You Always Were/Kamantcha Karineh Hovhannessian - Unabi/Marali/Shushiki Melody Of Dances Djivan Gasparyan - Lovely Spring Arev Armenian Folk Ensemble - Yergir Indz Hamar Arev Armenian Folk Ensemble - Partizum Varder Batsvats Arev Armenian Folk Ensemble - Naxaban Mariam Matossian - Yelar Sarov Mannik Grigorian - Aman Maro, Nanarina, Lepe Tou Mannik Grigorian - Bartsr Sarer Nino Mannik Grigorian - Vana Yergeri Sharg Mannik Grigorian - Anouch Vatan Mannik Grigorian - Krougner Mannik Grigorian - Maratouk Astvadzadzin Mannik Grigorian - Karabaghi Ororotsayin Sayat Nova - Es Me Gharib Blbuli Pes St. George's Canzona Dir. John Sothcott - Esteampie Real: Esteampie Real St. George's Canzona Dir. John Sothcott - Tre Fontane: Tre Fontane Imago Mundi - Estampie Imago Mundi - Recercada Primera Maladanza - Cantiga De Santa Maria #100
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Biography - Sharakan Early Music Ensemble
The Sharakan Early Music Ensemble Armenian Շարական Անսամբլ Was Founded In 1991 To Perform Armenian Music Of The Middle Ages Starting From The 5th Century. It Was Created By Grigor Danielian Who Has Followed The Age–old Armenian Tradition Of Taking A Pseudonym In His Case Daniel Erazhisht For His Musical Work. The Name Daniel Erazhisht Literally Means "Daniel The Musician" And Was The Name Of An Outstanding Musical Figure Of The Eleventh Century. The Ensemble Takes Its Name From "sharakan" The Melismatic Monophonic Chant Used In The Liturgy Of The Armenian Apostolic Church. Several Guest Musicians Joined The Sharakan Early Music Ensemble On Their Album "The Music Of Armenia Vol. 2 Medieval Chant" On The Celestial Harmonies Label Most Notable Among Them Is Soprano Anna Mailan Who Is Considered The Finest Classical And Operatic Singer In Armenia Today. She Is In Demand At Major Opera Houses Throughout Europe Her Voice Is Heard On Seven Songs In This Collection. Also Appearing Are Hovhannes Darbinian A Leading Performer On The Traditional Armenian Tar Ara Avanian Vocalist On The Song Horzham And Classical Pianist Margarit Sarkissian. The Medieval Songs Of Armenia Had Their Roots In Both The Sacred Music Of The Armenian Church And In The Ancient Bardic Traditions Of The Caucasus Region. While Some Of This Music Is Still Presented In Its Original State Many Older Armenian Works Exist Today Because Of The Tireless Work Of The Turn–of–the–century Composer And Musicologist Known As Komitas. The Music Of Armenia Volume Two Sharakan Spans Fifteen Centuries Of Armenian Music And Komitas' Presence Can Be Deeply Felt In Some Of The Arrangements. In Many Of These Songs Though Conductor Daniel Erazhisht Has Wedded The Exotic Often Melancholy Lyricism Of The Near East To The Classical Purity Of A European Chamber Ensemble Consisting Of String Quartet Voice And Flute. As A Result The Sound Is Immediately Accessible To Western Listeners Even As The Melodies Capture The Ear With Their Surprising Arabesques. Through Christianity Armenia Shares A Common Musical Origin With Europe Especially In Choral Works For Works Of The Established Church. Due To Geography Culture And The Pre-Medieval Split Of The Armenian Church From The Roman Catholic Armenia Is Foreign And Nearly Eastern. The Musical Result Is A Treasure At Times An Unearthed Gem Of Familiarity Springing As It Does From The Same Basic Form As European Cathedral Sources And Then Siren Calls Of Exotic Charm. Portions Sound As If Right Out Of Gregorian Songbook. The Similarity Cannot Be Denied.
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16 Similar Artists To Sharakan Early Music Ensemble - Frogtoon Music
Anna Mailian Haissmavourk Choir Karineh Hovhannessian Gevorg Dabagian Lusine Zakarian Hakob Khalatian Soghaken Folk Ensemble Shoghaken Ensemble Ludmila Grigorian Lida Zakarian Hasmik Harutunian Sasun Folk Group The Music Masters Of Armenia Janna Aivazian Levon Sargissian Zulal.