Stone Colored - Music
Stone Colored by Rhyton
Rhyton
Artist Biography For Rhyton
Rhyton Is A Band That Features Dave Shuford No-Neck Blues Band D. Charles Speer Jimy SeiTang Psychic Ills And Spencer Herbst Messages Matta Llama Improvising Their Way Through Fields Of Psychedelic Rock.
Rhyton Pours Out A Sonic Libation Unto The Liberated World. Waveforms Ring Out Alternately Frozen And Blazing Wrenched From An Improvisational Method. They Seek To Loosen The Gaze So As To Widen Focus Taking The Unity In Hand Not Grabbing For The Micro-Constituent. Using The Dynamic Levels Of Rock Rhyton Carve Out An Edifice Of Sound On Their Debut LP That Centers Upon Repetition And Modal Excursion. Recorded And Mixed By Jason Meagher At His Black Dirt Studio This Self-Titled Release Is Culled From A Highly Fruitful Three Day Recording Session. Seeking To Capture The Cutting Intensity Level Of Their Live Performances The Band Takes The Ethos Of Full Engagement. The Multiple Amp Setup At Hand In The Studio Helps Imbue The Ear With "second Hearing". The Split Stereo Dual Amped Electric Leads Utilized Throughout The Record Are Best Experienced On Tracks Like "Pontian Grave" And "Teke" Where Phase And Tremolo Patterns Bounce And Surge From Ear To Ear Warping Senses Of Both Time And Space. These Two Distinct Sound Sources Are A Manifestation Of Dual Perspectives Derived From A Single Emanation This Is Not The Fracturing Of A Voice But Rather Its Multiplying Into A Unified But Complimentary Chorale As Different Delay Lengths And Distortion Levels Cohere Into An Ensemble Greater Than Its Parts. On "Dale Odaliski" The Rock Trio Trappings Are Stripped Away As A Booming Tom Tom Oscillators And Delay Loops Evoke A Kind Technological Primitivism That Seems Akin To A Message From A Shattered Distant Future. Extreme Attention To Auditory Detail Is Apparent Throughout The Album As Blasts Of Varied Gain Stages Writhe Within Fields Of Phased Cymbals And Bass Throbs. Taken From Repose To Ekstasis - As Mental Impulse Reigns Above So The Body Below Records. Rhyton Is A Band With An Organic Genesis Born From Late Night Rap Sessions At A Local Brooklyn Watering Hole. Heads Of Certain Vibe Gathered Together To Tap Into The Underlying Flux Form Of Transportational Music. Dave Shuford D. Charles Speer No Neck Blues Band Had Been Knee Deep In Research And Practice In The Realm Of Middle Eastern Musics During The Recording Of His Solo LP Arghiledes. From That Album The Track "The Heavy Heart Of Ando-Yeap" Was Used As A Leaping Off Point For The Gestation Of Rhyton. Shuford Brought His Personal Selection Of Varied String Instruments To The Table Seeking To Create A Heavier Electric Syntax For Mandolin Saz And Baritone Guitar. Jimy SeiTang Psychic Ills Emerged As A Sonic Surgeon Creating Wave Patterns With His Bass And Pulses Of Tape Delay Tales. Spencer Herbst Messages Matta Llama Injected His Flowing Highly Energetic Style Of Percussion And Brought In Visual Conundrums By Way Of Videocassette. An Instant Near-Telepathic Bond Was Established Making Improvisations Seem Like Composed Forays Even To The Closest Confidants. With Variants And Heads Situated As A Point Of Departure Rhyton Explores The Inner Workings Of The Ear And Seeks The Latent Brain Bulge Within The Listener. 01 Stone Colored 02 Pontian Grave 03 Teké 04 Dale Odalíski 05 Shank Raids
49 Similar Tracks:
Rhyton - Pontian Grave Religious Knives - On A Drive The Grand Astoria - The Inner Galactic Experience Of Emily Dickinson And Sylvia Plath The Mystick Krewe Of Clearlight - A Fool's Outfit Moby Grape - Boysenberry Jam Electric Apricot - Sugar Train Blues Electric Apricot - Yog Sagoff Live Phish - McGrupp And The Watchful Hosemasters Phish - Old Home Place Trigon - Barbarischer Akt Der Synchronizität The Mantras - Before My Time The String Cheese Incident - This Must Be The Place Naive Melody The String Cheese Incident - Joyful Sound Ekoostik Hookah - Another Good Man Gone Out Of Focus - Good-Bye Honey Moe. - Timmy Tucker Moe. - Timmy Tucker > Kids Jam Grateful Dead - China Cat Sunflower Live In Paris 1972 Version Grateful Dead - Caution Do Not Stop On The Tracks Live In Los Angeles 1968 Version Jefferson Airplane - Walking The Tou Tou The Bakerton Group - Bill Proger's Galaxy Mike Gordon - Can't Stand Still Trigon - Designierte Düsternis Parchman Farm - Too Many People Phil Lesh & Friends - Midnight Train Jefferson Airplane - Jam Mushroom - I Was Torn Down At The Dance Place, Shaved Head At The Organ Phish - My Friend> Phish - Fish Vote 2004 set 2 Phish - unknown Fishman Tune Phish - HYHU-> I Wanna Be Like You-> HYHU Phish - Peaches En Regalia > My Friend My Friend Phish - August 14, 2009 Soundcheck - Hartford, CT Phish - Axilla 2 Phish - Halloween 1990 Set 1 Phish - "Who Ordered The Hot Dog?" Phish - Backstage Banter Phish - Rock & Roll Part 2 Jam Phish - August 7, 2010 Soundcheck - Berkeley, CA Phish - Santana's Jam 2 Phish - Santana's Jam 1 Phish - Drums set 2 Phish - Terrapin set 2 Phish - Lifeboy 7/15/93 Cayuga County Fairgrounds - Weedsport, NY Phish - Colonel Forbin's Ascent / Iculus / The Famous Mocking Bird Phish - Fee / Maze Phish - And So To Bad Phish - Alberqurgue Phish - Hold Your Head Up / Bike
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Biography - Rhyton
Rhyton Is A Band That Features Dave Shuford No-Neck Blues Band D. Charles Speer Jimy SeiTang Psychic Ills And Spencer Herbst Messages Matta Llama Improvising Their Way Through Fields Of Psychedelic Rock.
Rhyton Pours Out A Sonic Libation Unto The Liberated World. Waveforms Ring Out Alternately Frozen And Blazing Wrenched From An Improvisational Method. They Seek To Loosen The Gaze So As To Widen Focus Taking The Unity In Hand Not Grabbing For The Micro-Constituent. Using The Dynamic Levels Of Rock Rhyton Carve Out An Edifice Of Sound On Their Debut LP That Centers Upon Repetition And Modal Excursion. Recorded And Mixed By Jason Meagher At His Black Dirt Studio This Self-Titled Release Is Culled From A Highly Fruitful Three Day Recording Session. Seeking To Capture The Cutting Intensity Level Of Their Live Performances The Band Takes The Ethos Of Full Engagement. The Multiple Amp Setup At Hand In The Studio Helps Imbue The Ear With "second Hearing". The Split Stereo Dual Amped Electric Leads Utilized Throughout The Record Are Best Experienced On Tracks Like "Pontian Grave" And "Teke" Where Phase And Tremolo Patterns Bounce And Surge From Ear To Ear Warping Senses Of Both Time And Space. These Two Distinct Sound Sources Are A Manifestation Of Dual Perspectives Derived From A Single Emanation This Is Not The Fracturing Of A Voice But Rather Its Multiplying Into A Unified But Complimentary Chorale As Different Delay Lengths And Distortion Levels Cohere Into An Ensemble Greater Than Its Parts. On "Dale Odaliski" The Rock Trio Trappings Are Stripped Away As A Booming Tom Tom Oscillators And Delay Loops Evoke A Kind Technological Primitivism That Seems Akin To A Message From A Shattered Distant Future. Extreme Attention To Auditory Detail Is Apparent Throughout The Album As Blasts Of Varied Gain Stages Writhe Within Fields Of Phased Cymbals And Bass Throbs. Taken From Repose To Ekstasis - As Mental Impulse Reigns Above So The Body Below Records. Rhyton Is A Band With An Organic Genesis Born From Late Night Rap Sessions At A Local Brooklyn Watering Hole. Heads Of Certain Vibe Gathered Together To Tap Into The Underlying Flux Form Of Transportational Music. Dave Shuford D. Charles Speer No Neck Blues Band Had Been Knee Deep In Research And Practice In The Realm Of Middle Eastern Musics During The Recording Of His Solo LP Arghiledes. From That Album The Track "The Heavy Heart Of Ando-Yeap" Was Used As A Leaping Off Point For The Gestation Of Rhyton. Shuford Brought His Personal Selection Of Varied String Instruments To The Table Seeking To Create A Heavier Electric Syntax For Mandolin Saz And Baritone Guitar. Jimy SeiTang Psychic Ills Emerged As A Sonic Surgeon Creating Wave Patterns With His Bass And Pulses Of Tape Delay Tales. Spencer Herbst Messages Matta Llama Injected His Flowing Highly Energetic Style Of Percussion And Brought In Visual Conundrums By Way Of Videocassette. An Instant Near-Telepathic Bond Was Established Making Improvisations Seem Like Composed Forays Even To The Closest Confidants. With Variants And Heads Situated As A Point Of Departure Rhyton Explores The Inner Workings Of The Ear And Seeks The Latent Brain Bulge Within The Listener. 01 Stone Colored 02 Pontian Grave 03 Teké 04 Dale Odalíski 05 Shank Raids read less
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Rhyton Pours Out A Sonic Libation Unto The Liberated World. Waveforms Ring Out Alternately Frozen And Blazing Wrenched From An Improvisational Method. They Seek To Loosen The Gaze So As To Widen Focus Taking The Unity In Hand Not Grabbing For The Micro-Constituent. Using The Dynamic Levels Of Rock Rhyton Carve Out An Edifice Of Sound On Their Debut LP That Centers Upon Repetition And Modal Excursion. Recorded And Mixed By Jason Meagher At His Black Dirt Studio This Self-Titled Release Is Culled From A Highly Fruitful Three Day Recording Session. Seeking To Capture The Cutting Intensity Level Of Their Live Performances The Band Takes The Ethos Of Full Engagement. The Multiple Amp Setup At Hand In The Studio Helps Imbue The Ear With "second Hearing". The Split Stereo Dual Amped Electric Leads Utilized Throughout The Record Are Best Experienced On Tracks Like "Pontian Grave" And "Teke" Where Phase And Tremolo Patterns Bounce And Surge From Ear To Ear Warping Senses Of Both Time And Space. These Two Distinct Sound Sources Are A Manifestation Of Dual Perspectives Derived From A Single Emanation This Is Not The Fracturing Of A Voice But Rather Its Multiplying Into A Unified But Complimentary Chorale As Different Delay Lengths And Distortion Levels Cohere Into An Ensemble Greater Than Its Parts. On "Dale Odaliski" The Rock Trio Trappings Are Stripped Away As A Booming Tom Tom Oscillators And Delay Loops Evoke A Kind Technological Primitivism That Seems Akin To A Message From A Shattered Distant Future. Extreme Attention To Auditory Detail Is Apparent Throughout The Album As Blasts Of Varied Gain Stages Writhe Within Fields Of Phased Cymbals And Bass Throbs. Taken From Repose To Ekstasis - As Mental Impulse Reigns Above So The Body Below Records. Rhyton Is A Band With An Organic Genesis Born From Late Night Rap Sessions At A Local Brooklyn Watering Hole. Heads Of Certain Vibe Gathered Together To Tap Into The Underlying Flux Form Of Transportational Music. Dave Shuford D. Charles Speer No Neck Blues Band Had Been Knee Deep In Research And Practice In The Realm Of Middle Eastern Musics During The Recording Of His Solo LP Arghiledes. From That Album The Track "The Heavy Heart Of Ando-Yeap" Was Used As A Leaping Off Point For The Gestation Of Rhyton. Shuford Brought His Personal Selection Of Varied String Instruments To The Table Seeking To Create A Heavier Electric Syntax For Mandolin Saz And Baritone Guitar. Jimy SeiTang Psychic Ills Emerged As A Sonic Surgeon Creating Wave Patterns With His Bass And Pulses Of Tape Delay Tales. Spencer Herbst Messages Matta Llama Injected His Flowing Highly Energetic Style Of Percussion And Brought In Visual Conundrums By Way Of Videocassette. An Instant Near-Telepathic Bond Was Established Making Improvisations Seem Like Composed Forays Even To The Closest Confidants. With Variants And Heads Situated As A Point Of Departure Rhyton Explores The Inner Workings Of The Ear And Seeks The Latent Brain Bulge Within The Listener. 01 Stone Colored 02 Pontian Grave 03 Teké 04 Dale Odalíski 05 Shank Raids read less
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