Frogtoon Music

Baby's Back by Kenny Knight

Artist Biography For Kenny Knight

I Was Born In Atlanta Georgia The Fifth Of Six Children. In 1959 My Family Moved To Denver And When I Was Eleven Years Old I Saw The Beatles On The Ed Sullivan Show. That Did It For Me I Had To Have A Guitar. After A Lot Of Begging My Dad Went To A Pawnshop In Denver And Bought Me A Flattop Box. He Thought It Would Sit In A Corner Somewhere It Did Not. Not Long After I Was Approached By One Of The Better Bands The 13th Street Exit Who Asked Me To Play Bass For Them. It Was Also About This Same Time Age Eleven When I Began Writing My Own Songs. The 13th Street Exit Guys And I Used To Go See This Popular Local Band Called The Moonrakers Who Became Sugarloaf In Later Years. I Wanted To Play Guitar Like The Lead Player Bob Webber So I Ended Up Taking Lessons From Him. Bob Had A Friend Gene Chalk And They Both Worked At Phillips Music At 7th And Sheridan In Lakewood Colorado. I’d Take Lessons From Gene When Bob Wasn’t Around. Gene Was Best Friends With Randy Meisner Of The Eagles. Bob Gene And Randy Were In Several Bands Together—Gene Once Told Me “every Band I Was In Made It … After I Left The Band ” The Most Famous Being Rick Nelson And The Stone Canyon Band. I Kept In Touch With Gene Through The Years Until His Death In 2009. He Was A Great Guy And Musician. While With The 13th Street Exit We Played For George Romney At A Campaign Rally In 1967 When He Was Running For President. I Was Fourteen Years Old. The Next Garage Band I Was In Black Flag Made National News When We Played At The Brown Palace Hotel For Nelson Rockefeller In 1968 When He Ran For President. Black Flag Also Did Studio Work For Local Label Band Box Records In Denver. While In Black Flag We Would Work Local Clubs But Only After Having To Get A Work Permit From The Junior High School Principal. Since We Were All Under Age A Parent Had To Be With Us At Each Gig And The Chaperone Was Primarily My Dad. I Remember That I Told Him I Needed An Electric Bass And The Next Day He Bought Me A 1963 Fender Jazz Bass From A Pawnshop And A Silvertone Bass Amp From Sears. In 1966 When I Needed A Guitar He Bought Me A 1965 Epiphone Riviera $1200 Which I Still Have And Love To Play. To This Day I Have No Idea How He Came Up With The Money To Buy That As We Were Far From Wealthy. In 1968 My Older Brother Sent Me A Youngbloods Album From Vietnam. This Was Before The Youngbloods Were Famous. I Played That Album Until I Wore It Out. I Used To Hang Out At All The Clubs In Denver To Listen To All The Music I Could I Didn’t Have A Favorite Genre I Just Liked It All. Because I Was There So Often I Even Had My Own Table At Local Hangout Dirty John’s. My Favorite Club Though Was The Family Dog On Evans In Denver Which Featured All The Big Groups Such As Buffalo Springfield Jefferson Airplane Allman Joy Who Went On To Be The Allman Brothers The Doors And Jimi Hendrix. In 1972 I Joined The Marine Corps And Was Stationed In California At Camp Pendleton. I Bought A Guitar While There And Would Record Songs On A Small Cassette Player. Every Once In A While I Would Take Songs Up To L.A. To Try To Find A Publisher I Got Close A Few Times But Not Close Enough. A Guy From United Artists Told Me Not To Give Up To Stay In California And Keep Going. However I Had To Go Back To Denver To Help My Parents So Music Took A Big Vacation. I Did Buy A TEAC And Recorded My Own Stuff As Much As I Could Though As Often As I Could. My Cousins Had A Duet Group Called Bev And Sylvia Back In The ’50s And ’60s. They Played Pop And Country Lived In Hollywood Played All Over The World And Were Friends With People Like Buck Owens And The Ventures. When They Came Back To Denver Sylvia Whose Photo Is On The Album Bought An Old Home With A Carriage House In The Back. She Fixed It Up As A Studio And Is The One Who Talked Me Into Recording Crossroads. For Months I Would Work Twelve To Fourteen Hours As A Painter At The Auto-Body Shop I Ran With My Dad Then Go To Her Place After Work And Record For Hours. It Was Brutal. As We Recorded She Would Say “maybe This Needs A Flute I Know Just The Person For That ” And Would Contact A Musician To Play On The Album. On One Song On The Album I Wanted A Banjo Part. Sylvia Didn’t Know Anyone Who Played Banjo So I Bought A Banjo And A Book And Learned How To Play It For That One Song. Sandy Dodge Pictured On The Album Played Steel Guitar. I’d Seen Him Playing With A Country Band At A Club In Denver Called Pistol Pete’s And Thought He Was Good So After The Set I Asked If He Would Do Some Studio Work. I Think He Did An Excellent Job. I Have Continued To Write And Record Songs From Home Studios Through The Years. I Have Always Had A Home Studio And I Spend Time There Because I Love To Play. I Have Never Really Been Interested In Being A Performer My Interest Has Always Been To Be A Writer And I Cannot Think Of A Time Since I Was Eleven Years Old When A Song Was Not Running Through My Head. I Have Written And Forgotten More Songs Than I Can Remember. I Would Like To Thank Everyone Involved In Letting This Album Be Heard. And Most Of All Thank YOU For Wanting To Listen To It. Kenny Knight
Parker Colorado
December 2014

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