Läther - Album

Frogtoon Music Album Info: Läther

Published: 08 Aug 2022, 02:21

Läther Is The Sixty-Fifth Official Album By Frank Zappa. It Was Released Posthumously As A Three-CD Set On Rykodisc In 1996. The Album's Title Is Derived From Bits Of Comic Dialog That Link The Songs. Zappa Also Explained That The Name Is A Joke Based On "common Bastardized Pronunciation Of Germanic Syllables By The Swiss." Läther Integrates Many Aspects Of Zappa's Musical Oeuvre — Heavy Rock Orchestral Works And Complex Jazz Flavored Instrumentals Along With Zappa's Distinctive Electric Guitar Solos And Satirical Lyrics All Edited Together In A Seemingly Random Way. The Läther Album Was Intended For Release In 1977 As A Four-LP Box Set But It Never Appeared Officially In This Format. A Variety Of Bootleg Recordings Of This Material Were Widely Distributed. One Of These Was A Four-LP Box On The "Edison Record" Label And Appeared To Be Professionally Packaged. Zappa's Name Did Not Actually Appear On This Album But Some Fans May Have Been Led To Believe That It Was Authorized. Zappa's Relationship With Manager Herb Cohen Ended In May 1976. Zappa Sued Cohen For Skimming More Than He Was Allocated From The DiscReet Records Label. The Company Was Co-Owned By Zappa And Cohen And Distributed By Warner Bros. Records. Zappa Was Also Upset With Cohen For Signing Acts Of Which Zappa Did Not Approve. Cohen Filed A Lawsuit Against Zappa In Return Which Froze The Money Zappa And Cohen Had Gained From An Out-Of-Court Settlement With MGM/Verve Over The Rights To Zappa's Early Mothers Of Invention Recordings. Legal Issues Also Prevented Zappa Having Access To Any Of His Previously Recorded Material During The Trials. Zappa Then Had His Contract Re-Assigned And He Delivered The Album Zoot Allures Directly To Warner In October 1976 While Bypassing DiscReet. Cohen Claimed That This Action Violated The Terms Of His Contract With Zappa So The Final Four Albums Of Zappa's Contract Were Then Assigned Back To DiscReet. Läther Was Assembled By Zappa In 1977 From A Wide Variety Of Recording Sessions Stretching Back As Far As Eight Years But Mostly Between 1972 And 1976. The Tracks Utilize A Constantly Changing Cast Of Backing Musicians. Most Of The Songs On Läther Are Linked Together With Bits Of Musical Sound Effects Musique Concrète And Comic Dialog From Zappa Band Members Terry Bozzio Patrick O'Hearn And Davey Moire. More Of These Same Bits Or "grouts" As Zappa Allegedly Called Them Appear On Other Albums Such As Sheik Yerbouti. Basic Tracks For Lemme Take You To The Beach Were Recorded During 1969 Sessions For Hot Rats. The Track Was Finished In 1976 At The Record Plant In Los Angeles. Down In De Dew Comes From November 1972 Sessions In New York And Los Angeles. For The Young Sophisticate Is A 1973 Studio Recording From Bolic Sound And Is Different From The Later Live Version On Tinsel Town Rebellion. The Album's Opener Re-Gyptian Strut Comes From December 1974 Sessions At Caribou Ranch In Colorado. Flambe' And Spider Of Destiny Were Also Recorded At The Ranch With Additional Overdubs In 1976 At The Los Angeles Record Plant. These Three Are Among The Songs Written By Zappa In 1972 For A Stage Musical Called Hunchentoot. A Full Script Exists But The Recordings Of This Project Were Never Completed. The Most Substantial Work Is The Adventures Of Greggery Peccary A Story Set To Music Which Lasts Over 20 Minutes. The Piece Is Scored For A Large Orchestra And Was Recorded In Los Angeles Between 1972 And 1974. More Orchestral Works Come From A September 1975 Session With The 37-Piece Abnuceals Emuukha Electric Symphony Orchestra Which Was Recorded At Royce Hall With Conductor Michael Zearott. Zappa Said The 1975 Orchestral Sessions Alone Cost Him About $200 000. Most Of The Live Tracks Were Recorded In December 1976 At The Palladium In New York City. The Last Recordings Are Live Tracks Including Tryin' To Grow A Chin From A February 1977 London Show At The Hammersmith Odeon. This Song Also Appeared In A Different Later Recording On Sheik Yerbouti. History
In April 1975 Zappa Had A One-Sided Demo Acetate Disc Cut At Kendun Recorders In Burbank California. This Unreleased Disc Contains "Revised Music For Guitar And Low-Budget Orchestra" "200 Years Old" And "Regyptian Strut". Zappa's Liner Notes In The June 1975 Album One Size Fits All Mention A Planned Studio Follow Up Album Which Never Appeared. Instead Zappa Released The Mostly Live Album Bongo Fury In October 1975. Bongo Fury Contained A Four Minute Version Of "200 Years Old" Which Was Edited From The One On The April 1975 Acetate. A Complete Album Titled Six Things Was Also Cut As A Demo Acetate At Kendun In April 1976. This Was An Unreleased Early Edit Of Music From The Orchestral Sessions. The Same Year Zappa Tried To Negotiate Release Of An Orchestral Album With Columbia Masterworks But The Deal Fell Through When The Label Did Not Agree To Zappa's Terms. During The Fall 1976 Tour The Zappa Band Performed In Front Slide Projector Images One Of Which Said "Warner Bros. Sucks!" Zappa Was Upset Over Inadequate Promotion. By Late 1976 He Was Determined To Complete His Warner Contract As Soon As Possible. As Early As December That Year Zappa Considered Handing Multiple Individual Albums Over To Warner And Had "more Than Four" Currently In Production. Contracts Then Stipulated That Zappa Deliver Four New Albums To Warner For Release On DiscReet. In December 1977 Zappa Said "Between Last October And December 31 Of This Year I Was Required To Deliver To Warner Brothers Four Completed Albums. I Delivered All Four In March Of This Year." Warner Was Expecting To Receive Only One Album At A Time Not Four. Upon Delivery The Label Was Required To Pay Zappa $60 000 Per Album $240 000 Total And Release The Recordings In The United States Within Six Weeks. Warner Failed To Honor These Contractual Terms. A Long Legal Battle Between Zappa And Warner Occurred During Which No Zappa Material Was Released For More Than A Year. Most Of The Material On Läther Would Be Released During 1978 And 1979 On Zappa In New York Studio Tan Sleep Dirt Previously Titled Hot Rats III And Orchestral Favorites. In An October 1978 Radio Interview Zappa Identified These Four Individual Albums As The Ones He Previously Delivered To Warner And Added "Läther Was Made Out Of Four Albums. Warners Has Released Two Of Them Already And They Have Two More That They're Probably Gonna Release." The First Of These Four Albums Was A Two-LP Live Jazz Rock Album And Was Produced With Zappa Approved Cover Art. Two Others Were Single Disc Jazz Rock Studio Albums While The Last Was Made Up Of Orchestral Recordings. Therefore The Complete Four Individual Album Collection Actually Fills A Total Of Five Full Length LPs. After Having Violated The Contract With Zappa Warner Scheduled The Release Of Zappa In New York On DiscReet. A "Dateline Burbank" Ad In The June 30 1977 Issue Of Rolling Stone Magazine Described The Release Of The Album As "imminent". A Few Uncensored Full Length Copies Appeared But The Album Was Quickly Pulled From Stores. Warner And Discreet Were Forced To Withdraw It By November Due To Legal Action. Zappa Objected To The Release At This Time. He Also Claimed That Warner First Began To Manufacture The Album Only When They Heard He Had Negotiated To Release The Recordings With A Competing Company. At Approximately The Same Time Zappa Was Also Planning A Four-LP Box Set Titled Läther. The Album Was Completed At The Los Angeles Record Plant And Zappa's Handwriting On The Tape Boxes Show Either EMI Or Arista As The Intended Client. Frank's Wife Gail Zappa Claimed That Warner Wary Of A Four-LP Box Had Declined To Release The Material In This Format. Both Sets Of Recordings Five-LP And Four-LP Have Much Of The Same Music But Each Also Has Unique Content. Zappa Announced Läther In A Mid September 1977 Interview Following A Concert In San Diego. He Described It As His "current Album". Zappa Also Wanted To Release Sides Two And Four As A Single Album But This Didn't Happen. He Said "it's Only The Rock 'n' Roll For People Who Can't Afford The Box." Zappa Attempted To Get Läther Released In The Four-LP Box Configuration As The First Release On The Zappa Records Label. He Briefly Negotiated Distribution With Capitol/EMI And Then Phonogram Inc. At Phonogram The Project Reached The Test Pressing Stage And Was Scheduled For A Halloween October 31 1977 Release. But Warner Interfered With These Negotiations By Claiming Rights Over The Material. By This Point Zappa Had Denied A Music Copyright License To Warner To Reproduce The Songs. In December 1977 Zappa Appeared On The Pasadena California Radio Station KROQ And Played The Entire Test Pressing Of Läther. While Encouraging Listeners To Record The Broadcast Zappa Also Counterclaimed That Warner Did Not Have Rights To The Material. The Same Month Zappa Said His Breach Of Contract Suit Against Warner Bros. Was For Five Million Dollars But He Later Claimed Twenty Million Was At Stake. Bootlegs Of Läther Soon Appeared. Some Came Directly From The Test Pressing But Most Were Lower Quality Ones Sourced From Broadcast Tapes. Until The Album's Official Release In 1996 The Bootlegs Circulated Widely. Eventually Warner Issued All Four Individual Albums Starting In March 1978 And Running Through May Of 1979. However The Label Censored The 1978 Version Of Zappa In New York By Removing The Song Punky's Whips As Well As Other References To Punky Meadows A Member Of The American Glam Rock Band Angel. The Change Of Album Title From "Hot Rats III" To "Sleep Dirt" And Editing Of The Material Were Also Done In Violation Of Zappa's Contract. Since Zappa Had Supplied Only The Tapes For The Final Three Albums They Were Released Without Musician Or Songwriting Credits. Also The Artwork For These Albums Was Not Approved By Zappa. Instead Warner Commissioned The Designs From Cartoonist Gary Panter. All Four Individual Albums Went Out Of Print When The DiscReet/Warner Distribution Agreement Ended In 1982. CD Issues
Zappa Chose To Re-Issue The Four Previously Released Individual Albums On CD In 1991 Along With The Panter Artwork And Added Credits. Each Of Them Were Either Remixed And Or Altered In Various Ways. These Albums Appeared In The US On Zappa's Barking Pumpkin Label. In 1995 Rykodisc Again Reissued Zappa's Entire Catalog Up To That Date. None Of The Four Albums Related To Läther Were Altered From The Original CD Issues Though New Analog To Digital Transfers Were Made. One Year Later Läther Was Released Officially Through Rykodisc As A Three-CD Album. This Edition Used New 1996 Artwork And Was Released In A Plastic Jewel Case. Gail Zappa Confirmed That The Stereo Master Tapes For The Four-LP Läther Box Were Used As The Source. While Zappa's Notes From The Tape Boxes Show A Slightly Different Track Listing The 1996 CD Version Of Läther Is Musically Identical To The 1977 Test Pressings. The Only Difference Is That Four Bonus Tracks Were Also Added. Among These Is Commentary From Zappa Taken From His KROQ Broadcast. Also The Title Of The Song "One More Time For The World" Was Changed To "The Ocean Is The Ultimate Solution" The Title Under Which The Same Song Appears On The Album Sleep Dirt. Along With Most Of Zappa's Material A "mini-LP" CD Edition Was Also Released By Rykodisc In Japan With The Artwork Reformatted To Resemble The Packaging Of A Vinyl Album. In December 2012 An Official Reissue Of Läther Appeared In Cardboard Packaging With The Original Intended 1977 Artwork. This Version Omits The 1996 Bonus Tracks. Release And Reception
The Official Version Of Läther Was Finally Released With The Authorization Of Gail Zappa In September 1996 Nearly Three Years After Frank's Death. It Is Still Debated As To Whether Zappa Had Conceived The Material As A Four-LP Box Set From The Beginning Or Only Later When Working With Phonogram Around September-October 1977. In The Liner Notes To The 1996 Release Gail States That "As Originally Conceived By Frank Läther Was Always A 4-Record Box Set." Despite This Claim However There Is No Evidence That Zappa Ever Delivered The Four-LP Läther Set To Warner Only The Four Individual Albums. Zappa Himself Actually Contradicted Gail's Posthumous Claims That Warner Had Broken Up Läther Into Other Albums. Several Interviews Published In 1978 And An Album Review From 1996 Explicitly State That Zappa Re-Edited The Four Individual Albums Into The Läther Four-LP Box And Then Presented It To Phonogram. In A January 1978 Zappa Interview The British Publication New Musical Express Said "Since His Warner Contract Had Allegedly Been Breached Zappa Took His Copy Tapes Of The Four Albums Added Some New Material Subtracted Some Old And Prepared A Four-Record Set Called "Läther" But Pronounced "Leather". Allmusic Writer Richie Unterberger Praised The Album But Wrote That It Would "appeal Far More To The Zappa Cultist Than The General Listener Though The Zappa Cult – Which Has Been Craving Läther In Its Original Format For Years – Is A Pretty Wide Fan Base In And Of Itself."